Well, not anymore! Led Zeppelin fans rejoice for there is hope shining like a candle at the end of a very, very long tunnel. Now you ask how this could be? John Bonham and John Paul Jones have been residing in the hallowed halls of Rock ‘n’ Roll Valhalla for decades now. And Jimmy Page and Robert Plant dashed the hopes of fans everywhere when they abandoned their last collaboration in 2009 and since have been focusing on solo projects that often stray far from their rocking roots. So how can a devoted Led Zep fan aspire for something more? Has hell frozen over? Have the laws of time and space been irrevocably altered? (Cue Peter Venkman!) Hardly! But Led Zep fans from back in the day may not believe their ears when they hear this little track.
What song could possibly have gotten my classic rock-obsessed mind into such a tizzy? Well my friends, I am referring to the surprisingly epic song entitled Little Black Submarines. What’s that you say, you can’t place it? Well, I can assure you that you will not find it on any Led Zeppelin bootleg recording and it has not been languishing on a shelf somewhere deep within the BBC vaults for the past 30 years. No, this song is from a little American rhythm and blues revivalist duo known as The Black Keys. Now you might be confused as to how anyone could manage to get these two bands mixed-up. Sure they do share some of the same blues and folk influences and they both employ masterful instrumentality, finely honed lyrics, and a production standard that screams quality. Yet there is some distance between the two of them, from their subject matter to their style, as well as their stage presence . But if an old devotee happened to push play on this track unwittingly, they’d swear it was everybody’s favorite blues rock Brits circa 1971. Don’t believe me? Well, first let’s start with a refresher for those of you lacking in your music education.
Now I don’t know if Dan Auerbach and Patrick Carney consciously set out to make their Stairway to Heaven, but this is essentially what they have accomplished with Little Black Submarines. The words of the tragic singer who asks to be reconnected with his (lost?) lover border on the fantastical and the complicated circular style in which the lyrics are delivered belies their simplicity. Sure, they may lack the Tolkien-esque mysticism of Led Zep’s best known track, but they do come pretty darn close. And the stark contrast created between Auerbach’s soft-voiced intro–accompanied only by acoustic guitar–and the grandeur of the full-force percussion and roaring riffs of the climax easily matches the majestic transformation that takes Stairway from a whisper to a howl over the course of its 8 minute length. The only thing missing is Plant’s unmistakable wail at the finale, although this is somewhat alleviated by the addition of three female back-up singers. But unlike Stairway, Submarines benefits from the missing weight of Led Zep’s formidable pedigree and at the much more manageable length of just over 4 minutes, the song has the ability to become more accessible to a general audience. And the best part is that The Black Keys pay such beautiful tribute to these gods of rock without losing their own identity in the process. At no time does the song feel forced or overblown.
In the end Little Black Submarines stands as a beautiful song, a fitting tribute, and something that fans of Led Zeppelin can fearlessly play in guitar stores everywhere.